Exhibitions

Opening Discussion for Feminist Archaeology

Photo by Tony RinaldoPhoto by Tony Rinaldo

Please join artist Jennifer Bornstein RI '15 for an opening discussion and reception for her exhibition.

The opening talk will take place at 5 p.m. in the Knafel Center, Radcliffe Institute for Advanced Study, Harvard University. The reception will immediately follow in the Johnson-Kulukundis Family Gallery.

Bornstein will be joined in conversation by Yukio Lippit, Johnson-Kulukundis Family Director of the Arts, Radcliffe Institute for Advanced Study, and Professor of History of Art and Architecture, Harvard University and Jennifer L. Roberts, Arts Advisor, Radcliffe Institute for Advanced Study, and Elizabeth Cary Agassiz Professor of the Humanities and Harvard College Professor.

This gathering with Radcliffe fellows, Harvard faculty and staff, members of the arts community at Harvard, and beyond is open to the public and provides a chance to see the new exhibition and meet the artist.

Free and open to the public.


Feminist Archaeology is an interdisciplinary art project consisting of an original video projection with accompanying prints and sculptures. The exhibition explores different strains of feminism, which the artist has experienced both personally and through her research, and that have been somewhat at odds with one another over time.

The video component of the exhibition purposely conflates different historical periods of feminism. It includes moving-image media from several sources: 16mm film; HD; and Sony Portapak—an anachronistic 1970s video camera that shoots only black-and-white, standard-definition video. Portapak was frequently used by artists to make experimental, performance-based videos during the time period of the 1970s that coincides with the focus of this project’s artistic research. The print component of the exhibition consists of large-scale, 1:1 relief-type prints made using oil-based printing ink on canvas. The prints were created from pieces cut from a temporary drywall structure that was formerly in Harvard’s Carpenter Center. Segments of the drywall structure, which was built as a collaborative project by students in Visual and Environmental Studies (VES), and served as Bornstein’s classroom and as a video projection room while she was a visiting lecturer in VES, are also displayed in the exhibition as sculptural elements.

Research for Feminist Archaeology began in 20142015 during Bornstein’s fellowship year at the Radcliffe Institute for Advanced Study. The research materials for the exhibition, which function partly as the project’s blueprint, come from the collections of Radcliffe’s Schlesinger Library on the History of Women in America.

The artist would like to thank Harvard undergraduates Eriko Kay and Lily Scherlis, who contributed significantly to the development of the work, as well as VES students Ariana Chiavaron, Helen Miller, Billy Orman, Noel de Sa e Silva, Gleb Sidorkin, Kensho Tambara, and Sam Wolk for their help with the project.