The Lily League

An Exhibition by EJ Hill
Lesson #1, 2019. Image courtesy of EJ Hill and Commonwealth and Council GalleryLesson #1, 2019. Image courtesy of EJ Hill and Commonwealth and Council Gallery

This exhibition opens on January 31, 2020, and runs through March 28, 2020.

It will be on view in the Johnson-Kulukundis Family Gallery of Byerly Hall at 8 Garden Street, Radcliffe Yard, Monday through Saturday, from noon to 5 p.m.

On January 30, 2020, there will be an exhibition opening reception and performance at 6 p.m. in the gallery.

Free and open to the public.

The Lily League, which borrows its name from the Black Star calla lily, is a new body of work by EJ Hill that imagines a network of universities that is a counterpoint to the Ivy League. Founded on principles of excellence by way of radical inclusion and fueled by the resilience of those most vulnerable to institutional violence, Hill recasts the visual language of academic heraldry to reckon with educational institutions that are not designed for all. The Lily League is part pedagogical experiment, part institutional critique, and a deliberate attempt to provide students a foundation from which to launch their own creative and ambitious ideas. The efforts of the League include not-yet-realized universities such as Garner University, the University of Saint Tamir, and the School of Dance at Pulse College.

Hill initiated this new direction in his work with Excellentia, Mollitia, Victoria for the Hammer Museum’s biennial Made in L.A. 2018. Hill ran victory laps around each of the educational institutions he had attended—from preschool to an MFA program at UCLA—then stood on a medalists’ podium in the gallery throughout the run of the show. This work of endurance deeply informed Hill’s 2018–2019 fellowship at the Radcliffe Institute, an interdisciplinary institute for advanced study situated within an Ivy League university. His work grows from a sincere effort to push against social institutions and constructs that, in Hill’s words, “inhibit us from becoming our most dynamic and freest selves.”

Hill’s work has been presented in domestic and international exhibitions, including Rendez-vous/Biennale de Lyon 2017, at Institut d’Art Contemporain, in Villeurbanne/Rhône-Alpes, France; Artists of Color, at the Underground Museum, in Los Angeles; Future Generation Art Prize, at the 57th Venice Biennale; The Necessary Reconditioning of the Highly Deserving, at Commonwealth & Council, in Los Angeles; and Tenses: Artists in Residence 2015–16, at the Studio Museum in Harlem. In addition to his Radcliffe fellowship, Hill is the recipient of one of a Foundation for Contemporary Arts Grants to Artists award; a Joan Mitchell Foundation Painters & Sculptors Grant; the Public Recognition Award for the Hammer Museum’s Made in L.A. 2018; the Artadia Award Los Angeles; an Art Matters fellowship grant; and the California Community Foundation Fellowship for Visual Artists. Hill received an MFA from UCLA and a BFA from Columbia College Chicago.

Exhibition organized by Meg Rotzel, arts program manager